An undergraduate thesis production of “Orlando,” an adaptation of Virginia Woolf’s novel by American playwright Sarah Ruhl, will debut on November 6, 2023, at Yale University. This performance marks the first thesis production of the fall semester, showcasing the creative efforts of students Thomas Kannam and Gia George-Burgher, both in the class of 2026.
The play follows the life of its titular character, Orlando, whose journey spans five centuries and delves into themes of identity and self-discovery. “Orlando seeks to answer the question, ‘Who am I?’” said director AJ Walker, also a member of the class of 2026. The original novel was published in 1928, while Ruhl’s stage adaptation premiered in 2010.
Kannam, who plays the lead role, undergoes a transformation from male to female halfway through the narrative. To convey this shift in identity, Kannam employs a physical approach, reflecting Orlando’s gender through gestures and movement. Walker emphasized the intimate nature of Kannam’s portrayal, stating that the actor draws on personal experiences to create a performance that resonates with authenticity.
The production also places significant importance on costumes, which serve as historical signifiers and reflect the evolution of drag culture. Co-producer Angelica Peruzzi, a member of the class of 2027, noted that these elements are crucial for Kannam’s portrayal of Orlando.
In addition to the lead performance, George-Burgher takes on multiple roles as the chorus leader, a character she created specifically for this production. “Gia’s thesis focuses on the concept of the ‘Black-ground,’ highlighting how Black actors often find themselves in the background of productions,” Peruzzi explained. As chorus leader, George-Burgher embodies various characters, requiring a fluid performance style distinct from playing a singular role.
The chorus itself consists of six members, including Julia Weston, who expressed the unique dynamics of ensemble work. “We’re all defined by our relationship to Orlando and his story,” Weston remarked, highlighting her character’s curiosity about Orlando. She described the rehearsal environment as joyful and supportive, with an emphasis on collaboration both as individuals and as a collective.
Weston also shared her growth during rehearsals, noting her initial unfamiliarity with dance. As rehearsals progressed, she discovered ways to integrate movement with her character’s development. Walker reflected on the relevance of “Orlando” today, pointing out its ability to provoke thought about how cultural and political landscapes influence individual identities.
For Walker, this project is a full-circle moment, having collaborated with Kannam and George-Burgher since his first year at Yale. “They have significantly shaped my personal artistic journey,” he said.
The performance of “Orlando” will run from November 6 to November 8, 2023, at the blackbox theater located at 53 Wall St. This production promises to engage audiences with its exploration of gender, identity, and the power of theatrical storytelling.