UPDATE: Renowned author Stephen King has launched a bold critique of violence in superhero films, asserting it often resembles “pornographic” imagery. In a striking interview with The Times U.K., King emphasized the need for films to portray the harsh realities of violence, particularly as he prepares for the release of his adaptation, The Long Walk, on September 12, 2024.
King’s comments come as a powerful statement against the superhero genre, particularly targeting franchises like the Marvel Cinematic Universe and DC Studios. He pointed out the disconnect between the destruction depicted and the lack of bloodshed, stating, “If you look at these superhero movies, you’ll see … some supervillain who’s destroying whole city blocks but you never see any blood. And man, that’s wrong. It’s almost, like, pornographic.”
The author has been clear about his vision for The Long Walk, based on his 1979 dystopian horror novel, which follows teenage boys in a deadly walking contest. “I said, if you’re not going to show it, don’t bother,” King remarked, adding that the film adaptation made by director Francis Lawrence and screenwriter JT Mollner would deliver the brutal realism he demands.
King’s comments resonate amid a broader industry trend. While superhero films often shy away from graphic violence to cater to family audiences, several R-rated entries have recently challenged this norm. Films like 2024’s Kraven the Hunter, the Deadpool series, and 2021’s The Suicide Squad show a willingness to depict violence more explicitly, raising questions about audience expectations.
As the release date for The Long Walk approaches, King’s remarks are gaining traction, sparking discussions about how violence should be portrayed in film. Fans and critics alike are eager to see if the film will live up to his promise of a brutally honest depiction.
With the film industry constantly evolving, King’s critique could influence how future superhero films address violence. As audiences increasingly seek authenticity, the balance between entertainment and realism is more critical than ever.
Stay tuned for further updates as The Long Walk approaches its release, and the conversation around cinematic violence continues to unfold.