The introduction of the Sigma 35mm f/1.2 DG II Art Lens marks a significant advancement in lens design, addressing limitations of its predecessor while enhancing usability for photographers. This new version is notably smaller and lighter, making it a practical choice for extended use during events such as weddings.
Enhanced Design and Usability
The original 35mm f/1.2 lens was groundbreaking but came with certain drawbacks, including its bulk and weight. The previous model required 82mm filters, which can be costly and cumbersome. In contrast, the DG II reduces the lens length by 20% and its weight by nearly 30%, bringing it down to under 26.6 ounces (approximately 755 grams). The new filter thread size of 72 mm makes acquiring filters more affordable and practical.
These design changes aim to enhance handling during long shoots. The lens is now more manageable for handheld setups and compact gimbals, alleviating the strain on photographers during extended events.
Improved Autofocus and Optical Performance
The autofocus system has undergone a substantial upgrade. According to Alex Cooke in a review, the original lens struggled with focus transitions between near and distant subjects. The DG II features advanced magnetic autofocus motors that effectively address this issue. During tests, the lens performed well in various lighting conditions, tracking subjects seamlessly.
While some focus breathing is present, it remains minimal, which is particularly beneficial for videographers seeking smooth transitions. The optical performance of the lens stands out, delivering sharp images with a pleasing background blur, or bokeh, at wide apertures. The versatility of the 35mm focal length provides a wider perspective than a 50mm lens, making it suitable for both cinematic sequences and tighter shots.
Johnson, another reviewer, emphasizes the lens’s bokeh quality as a highlight, noting its effectiveness throughout an entire wedding day setup. This flexibility makes it a preferred choice for many photographers.
The 35mm f/1.2 DG II maintains consistent controls familiar to users of Sigma Art lenses. It retains the customizable button, a click-stop aperture ring, and an AF/MF switch, allowing photographers to enjoy a seamless transition to the new model.
In summary, Sigma’s latest lens not only retains the strengths of its predecessor but also addresses previous concerns, making it a compelling option for both amateur and professional photographers alike. For a more detailed look into the lens’s features and performance, refer to the comprehensive review by Johnson.