Film reviews highlight two new releases that showcase diverse storytelling and compelling performances. Sam Raimi’s horror-comedy, Send Help, and Rebecca Zlotowski’s psychological drama, Private Life, both feature strong lead performances but approach their themes in markedly different ways.
‘Send Help’ Offers a Unique Blend of Horror and Comedy
Directed by Sam Raimi, Send Help has been described as “the most purely enjoyable Sam Raimi film in years,” according to IndieWire. The film centers around Linda, portrayed by Rachel McAdams, a corporate underling who unexpectedly finds herself stranded on a deserted island with her company’s new CEO, played by Dylan O’Brien. The plot takes a turn when the pampered executive denies Linda a promotion, leading to a shift in power dynamics as Brady suffers an injury and Linda must step up.
Critics have noted the film’s ability to weave humor with horror, creating a narrative that is “ghastly without being grim.” The Guardian’s Peter Bradshaw suggests that while Raimi’s signature horror style adds excitement, it sometimes undermines the film’s satirical elements. The eruptions of gore, reminiscent of his 1981 classic, The Evil Dead, can detract from the believability of the plot, turning moments into silliness.
Despite some criticisms, McAdams delivers a standout performance, evolving from a meek character into a resourceful survivalist. Frank Scheck from The Hollywood Reporter praised her transformation, stating, “seeing the actress let her freak flag fly is a delight.” O’Brien also impresses, shifting from an initially unlikable character to someone who experiences growth throughout the ordeal. Critics agree that while the film loses momentum toward its conclusion, the surprising climax and humorous coda deliver a satisfying finish.
‘Private Life’ Features Jodie Foster’s Captivating Performance
In Private Life, directed by Rebecca Zlotowski, Jodie Foster takes on the role of Lilian Steiner, a psychiatrist in Paris who suspects foul play in the death of a client. Her performance has been widely acclaimed, with Nick Schager from The Daily Beast noting it as the movie’s “undisputed highlight.” This film marks Foster’s first starring role in a French-language film, and her ability to convey anxiety and determination captivates audiences.
The narrative, which falls somewhere between a psychological thriller and a character study, raises questions about Lilian’s grip on reality as she delves deeper into her investigation. Despite the film’s uneven pacing and failure to fully materialize, critics like Naveen Kumar from The Washington Post appreciate its ambiguity and the exploration of Lilian’s psyche.
Foster is supported by a strong cast, including Virginie Efira as the deceased client and Daniel Auteuil as Lilian’s ex-husband, who joins her in the investigation. Their dynamic is highlighted by Manohla Dargis from The New York Times, who describes their interactions as “sweetening the story” and hinting at the potential for a film franchise.
Both Send Help and Private Life offer audiences compelling narratives, showcasing the talents of their lead actors and the unique vision of their directors. As these films make their way into theatres, they promise to engage viewers with their distinct approaches to storytelling.