URGENT UPDATE: Acclaimed cinematographer Roger Deakins discusses his artistic journey and the future of filmmaking in a recent interview. This comes as moviegoers anticipate new releases, including James L. Brooks’ latest film, Ella McCay, hitting theaters on December 12, 2023.
Deakins, known for his work on classics such as “No Country for Old Men” and “1917,” emphasizes the importance of storytelling over mere visual appeal. “It’s not just about creating pretty pictures,” he asserts, highlighting a cinematic philosophy that prioritizes narrative integrity.
In the upcoming film Ella McCay, Emma Mackey stars as a lieutenant governor driven to improve lives, a character reminiscent of Brooks’ signature style. “I don’t believe people don’t want comedy,” Brooks stated, as he aims to bring a heartfelt dramedy back to theaters.
This week also sees the release of several significant films. Amy Nicholson heralds Rian Johnson’s “Wake Up Dead Man: A Knives Out Mystery” as the “darkest, funniest, and best installment yet.” Meanwhile, Chloé Zhao’s adaptation of “Hamnet” explores the profound grief of Shakespeare and his wife, set against the backdrop of their son’s death.
For those seeking a more sobering experience, Julia Loktev’s five-and-a-half-hour documentary, My Undesirable Friends: Part I — Last Air in Moscow, sheds light on the struggles of independent Russian media during the Ukraine invasion. Local screenings will feature Q&A sessions with Loktev and subject Ksenia Mironova on November 28 and 29 at the Laemmle Royal.
Deakins, who has recently released his memoir, “Reflections: On Cinematography,” discussed his collaborative process with his wife, James Ellis Deakins. Together, they navigate the complex world of film, emphasizing the importance of shared experiences. “Your work is your life,” Roger said, reflecting on their intertwined careers.
As the film industry evolves, Deakins remains hopeful about future projects. While he has not shot anything in recent years, he remains open to new opportunities, particularly with Joel and Ethan Coen, who are rumored to be working on new material.
Film enthusiasts are also encouraged to check out Kahlil Joseph’s unconventional film BLKNWS: Terms and Conditions, which provides a unique exploration of Black identity and history. Following the critical acclaim of his late brother’s recent exhibition, this film is expected to provoke thought and discussion.
This week’s screenings also include Hal Ashby’s “Coming Home,” a poignant look at the costs of war, and Robert Downey Sr.’s “Putney Swope,” a sharp satire that critiques corporate culture and race relations.
As audiences flock to theaters, the spotlight is on Deakins and the new wave of filmmakers redefining the cinematic landscape. With compelling stories and innovative techniques, the future of film is a narrative worth watching.