The world of photography is often clouded by long-standing myths that dictate how photographers should operate. In a recent discussion, Emily Lowrey challenged these conventional views, prompting photographers to reconsider their approaches. Her insights highlight the need for flexibility in an art form that thrives on creativity and personal expression.
Lowrey sets the stage by addressing two prevalent beliefs in the photography community: “real photographers always shoot in manual” and “photographers shouldn’t edit photos.” While these statements are frequently echoed, Lowrey encourages a broader perspective.
Manual Mode vs. Automatic Settings
The insistence on using manual mode can limit creativity, especially for those who prioritize capturing moments over technical perfection. As a photojournalist, I can attest to the importance of being ready at a moment’s notice.
Manual settings certainly have their advantages, particularly in scenarios like portrait photography where precise control over lighting is essential. However, in fast-paced environments such as sports photography, relying on semi-automatic modes can be beneficial. These modes allow photographers to focus on composition and timing rather than getting bogged down in technical details.
Lowrey’s argument resonates with many photographers who find that using aperture priority mode can provide the necessary background control without sacrificing the spontaneity of the moment. The key takeaway is that flexibility in settings can enhance the photographer’s ability to capture compelling images.
The Role of Editing in Photography
Another myth Lowrey confronts is the notion that photography should remain untouched after the shutter clicks. In reality, editing is a critical step in the photography process. Many renowned photographers have relied on post-processing to refine their work.
Cameras serve as the starting point for an image, not the final product. Lowrey emphasizes that editing can transform a good photograph into a great one, provided it is done thoughtfully. While some may argue that using artificial intelligence tools to create or alter images crosses a line, traditional editing remains an essential component of the craft.
As Lowrey illustrates, the best photographers have always engaged in some level of editing, sometimes pushing boundaries to enhance their artistic vision. This process is what often elevates an image, making it resonate with viewers on a deeper level.
Lowrey’s exploration of photography myths encourages photographers to embrace their unique styles and challenge the norms that can stifle creativity. By recognizing that there are multiple paths to achieving great photography, individuals can develop their artistry in ways that feel authentic to them.
For those looking to explore these ideas further, Lowrey’s video presents a comprehensive overview of additional myths worth reconsidering. Engaging in discussions around these topics can help foster a richer understanding of photography as an evolving art form.
In closing, Wasim Ahmad, an assistant teaching professor at Quinnipiac University, brings a wealth of experience from his journalism career, including roles at various newspapers and as a technical specialist at Canon USA. His background lends credibility to the conversation surrounding these myths, reinforcing the idea that photography is as much about personal expression as it is about technical skill.
As the photography landscape continues to evolve, it is vital for photographers to remain open to new ideas and techniques, ensuring that art remains vibrant and diverse.