UPDATE: New York Fashion Week 2026 is electrifying audiences as music takes center stage, shaping the emotional landscape of each collection. The event, which kicked off earlier today, showcases how sound directly influences our experience of fashion, with designers and composers working together to create unforgettable atmospheres.

At the Mexican brand Campillo’s show, titled “Repetición,” the soundtrack began with an original composition featuring a poem by philosopher Nezahualcóyotl. The mantra-like recitation, echoing themes of nature and brotherhood, set the tone for a collection that honors tradition through a series of in-house knits. Designer Patricio Campillo collaborated closely with composer Ruzzi, describing the soundtrack as a “roller coaster of emotions.” The music seamlessly intertwined classics like “Perfume de Gardenias” with contemporary twists, including a Spanish cover of Daft Punk’s “Something About Us,” creating a vibrant experience that left attendees in awe.

The urgency heightened at Eckhaus Latta’s show, where a poem opened the presentation: “God has a plan / We are all waitresses / In his sick little restaurant.” With a palpable energy, DJ Galcher Lustwerk provided a soundtrack that evoked the spirit of ‘70s and ‘80s New York. Lustwerk’s original tracks resonated with the audience, enhancing the visuals of daring designs, including male models in provocative cut-out shirts. The atmosphere was further enriched with live percussion, establishing a dynamic relationship between sound and fashion that had guests buzzing.

At Diotima’s presentation, the soundtrack culminated in an intense moment of tension as a woman’s heavy breathing filled the space, coinciding with a colorful, kinetic collection named “Bacchanal.” Designer Rachel Scott emphasized the cultural significance of Carnival, stating that it represents resilience against oppression. The music, crafted by DJ Jordss, perfectly mirrored the vibrant visuals, creating an immersive experience that left attendees captivated.

The iconic Chelsea Hotel hosted Anna Sui’s show, where nostalgia permeated the air. Inspired by the creative community of Mabel Dodge Luhan, the music journeyed through the late ‘80s to modern day, featuring artists like Mazzy Star and the Velvet Underground. As models walked in prairie silhouettes, the sounds evoked a sense of history and connection, resonating with those in attendance.

Khaite’s presentation brought a spectral quality to the runway with fog-shrouded models wearing sculptural designs. The soundtrack featured a range of artists, from Blur to Chopin, creating an atmospheric backdrop that heightened the collection’s dramatic impact.

Collina Strada’s show took a daring turn, exploring themes of societal control through its soundtrack, which was shaped by designer Hillary Taymour and DJ TT Britt. Taymour’s remarks about “Friendly Fascism” prompted a deep reflection on the interplay of art and politics, emphasizing the importance of questioning the status quo. The event culminated in an operatic rendition of Smash Mouth’s “All Star,” leaving guests with an evocative reminder of the complexities of modern life.

As the final notes echoed at New York Fashion Week, it became clear that music is not merely an accessory to fashion but an integral element that shapes our understanding and emotional response to each collection. The synergy between sound and design is redefining the runway experience, making this year’s event a must-watch for fashion enthusiasts and music lovers alike.

What’s Next: As the week progresses, expect more groundbreaking presentations that intertwine sound and fashion. Keep an eye on the latest shows as designers continue to push boundaries and explore new dimensions through music.