Film photography has witnessed a surge of exciting developments recently, with Kodak leading the charge. In a recent episode of Film Photography News aired on November 24, 2023, host Steven Van Worth announced a series of noteworthy releases, including a new Kodak-branded compact camera, the first sample images from the much-anticipated Analogue aF-1, a restock of the popular Optik Oldschool color film, and innovative scanning equipment from Negative Supply.
Kodak’s new compact camera has garnered significant attention. This 35mm point-and-shoot model uses the full 36×24 mm frame and features a straightforward two-zone focus system. Users can choose between a setting for close-up subjects and a standard option for everything else. A dedicated double-exposure switch adds to its user-friendly design, allowing photographers to experiment creatively. Van Worth highlights that this camera is not designed to compete with high-end models like Leica or Contax. Instead, it aims to be an accessible option for casual photographers looking for quality without the complexity of traditional cameras.
The focus of the discussion around Kodak’s new compact is its practical appeal. Van Worth describes it as a device that can easily be tossed into a bag, making it ideal for spontaneous outings. He emphasizes that for those weary of disposable camera results, this compact could serve as a bridge to more serious photography, potentially attracting a new generation of film enthusiasts.
Transitioning to the much-discussed Analogue aF-1, Van Worth notes that this camera has been shrouded in speculation for quite some time. Developed by a small team in the Netherlands, the aF-1 promises modern features such as a 35mm f/2.8 lens and advanced Lidar/ToF autofocus. Although there have been delays in its release timeline, the unveiling of a working prototype portrait has sparked renewed interest. The anticipated launch is now set for early 2026, moving it from the realm of speculation to a project many are eager to support.
While the presence of one sample frame does not guarantee success, it does signify progress. Van Worth remains cautious, acknowledging the challenges the project has faced and the fact that many photographers already have reliable compact cameras. Still, the potential for a new autofocus film camera is exciting for the community.
In addition to cameras, film enthusiasts can rejoice at the return of Optik Oldschool’s OptiColour 200. This C-41 daylight color film has a loyal following and is known for its reliable color reproduction and versatility. Van Worth highlights the significance of its restock, noting that previous availability has often been fleeting. For photographers who appreciate consistent quality without the fuss, this film is a welcome addition to the market.
To round off the exciting announcements, Negative Supply has introduced new camera-scanning equipment, including updated 35mm carriers and improved light sources for accurate color representation. The Basic Riser MK3 copy stand has also been unveiled, designed for durability and ease of use. Although this equipment is positioned at a higher price point, Van Worth assures users that it offers substantial improvements over aging flatbed scanners, allowing photographers to maximize the potential of their film.
Considered collectively, these updates illustrate that film photography is not merely experiencing a revival; it remains a vibrant medium for dedicated practitioners. The introduction of new cameras, the revival of beloved film stocks, and advancements in scanning technology cater to a community that continues to embrace the art of film. As the industry evolves, it reflects a broader trend where shooting film transcends nostalgia, focusing instead on a deliberate and meaningful approach to photography.
With these developments, Kodak and other players in the field are paving the way for a new era of film photography, one that values both innovation and tradition.