Josh Brolin, the acclaimed actor known for his diverse roles, recently shared his favorite films during a visit to the Criterion Closet. This initiative offers film enthusiasts a curated selection of classic and influential movies. Brolin, who has captivated audiences with his performances in projects like No Country for Old Men and the Dune franchise, presented seven remarkable films that he believes deserve greater recognition.
Mikey and Nicky, directed by Elaine May, tops Brolin’s list. This mid-1970s gem features a powerful exploration of friendship through the tumultuous relationship between two men, played by John Cassavetes and Peter Falk. As they navigate the chaos of the mob, their deep-seated issues surface in a gripping narrative that Brolin describes as a “fascinating study of male friendships,” highlighting the film’s ahead-of-its-time portrayal of complex emotional dynamics.
Another significant film on Brolin’s recommendation list is Traffic, directed by Steven Soderbergh. Released in 2000, this thriller examines the American war on drugs from multiple angles, demonstrating the interconnected fates of its characters. Brolin praises the film not just for its compelling storytelling but also for its critical acclaim, which includes four Academy Awards from five nominations. It remains a pivotal work in the landscape of American cinema.
The existential horror film Lost Highway, directed by David Lynch, is another standout in Brolin’s selections. This film follows saxophonist Fred Madison as he becomes embroiled in a nightmarish scenario after being accused of murder. Brolin expresses admiration for Lynch’s distinctive narrative style, which prioritizes atmosphere over traditional plot coherence, creating a haunting experience that stays with viewers long after the credits roll.
Brolin also recommends Repo Man, a unique film that blends comedy with crime. Directed by Alex Cox, the story follows a young punk, Otto, who finds himself entangled in the world of car repossession. The film’s improvisational quality and energetic pacing have earned it a cult following, with Brolin succinctly summarizing his appreciation for it with an enthusiastic “Yeah.”
Another entry from Cox’s oeuvre is Sid & Nancy, which chronicles the turbulent relationship between Sex Pistols bassist Sid Vicious and his girlfriend Nancy Spungen. Brolin highlights the film as a poignant depiction of doomed love, infused with the raw energy of punk rock culture. He lauds the performances of Gary Oldman and Chloe Webb, as well as the cinematography by Roger Deakins, calling it an inspiration for his own career in film.
The fifth film, Drugstore Cowboy, directed by Gus Van Sant, explores the lives of drug addicts in 1970s Portland. Brolin regards it as “the poetry of filmmaking,” commending its narrative depth and emotional resonance. The film’s dark humor and poignant storytelling have solidified its status as a classic among independent films.
Finally, Brolin cannot overlook his own work in No Country for Old Men, a neo-Western directed by the Coen brothers. Portraying Llewelyn Moss, Brolin’s character finds himself in a deadly game of cat and mouse after stumbling upon a drug deal gone wrong. The film’s critical success and lasting impact on cinema are a point of pride for the actor, who describes the experience as one of the greatest of his life.
Brolin’s selections offer a compelling glimpse into the world of cinema, showcasing films that have shaped his understanding of storytelling and character development. With upcoming projects such as The Running Man and Wake Up Dead Man: A Knives Out Mystery, he continues to engage audiences with his talent while honoring the influential works that inspired him.