Estonian writer-director-producer Rain Rannu premiered his latest film, New Money, at the 29th edition of the Tallinn Black Nights Film Festival on March 5, 2024. The film, a follow-up to his 2023 dramedy Free Money, humorously tackles the question: What would one do with more than €50 million (approximately $58 million)?

Set against the backdrop of personal and societal reactions to sudden wealth, the film stars Märt Pius and Steffi Pähn, reprising their roles as the couple Taavi and Liisa. The screening attracted a full audience, with laughter resonating throughout the theatre. The production, developed by Rannu and Tõnu Hiielaid at their company, Tallifornia, also features actors Ivo Uukkivi, Elina Masing, Edgar Vunš, and Keith Siilats. Sales are being managed by Baltic Crime.

The narrative centers on Liisa, a modest teacher, and Taavi, a humble IT professional, who agree to a tabloid interview in hopes of inspiring financial literacy among young people. Their candidness, however, leads to a flood of anonymous insults, unsolicited offers, and dubious proposals. The situation escalates when Taavi unexpectedly becomes a millionaire overnight, thanks to a Bitcoin fortune, leaving him both bewildered and regretful.

Rannu shared insights into the film’s production, emphasizing the organic nature of the project. “It’s not actually a sequel,” he clarified. “I wanted to spend more time with these characters after Free Money. I sent the script to the actors, and they were on board immediately.”

During the filming process, Rannu also co-edited the feature, a role he finds both rewarding and challenging. He noted, “Editing can make or break a film. There are countless nuances to consider, from what to emphasize to what to downplay.”

The film delivers a poignant message about the complexities of sudden wealth. Rannu highlighted one significant theme: “More money, more problems.” This perspective resonates with audiences, who can find both humor and relatability in the couple’s chaotic journey.

Looking ahead, Rannu hinted at the possibility of expanding the Free Money universe. “I have a couple of good ideas already,” he said, suggesting potential plots that would further explore the lives of characters introduced in New Money.

As audiences await the film’s release beyond the festival circuit, its mix of comedy and social commentary promises to engage viewers and provoke thoughtful discussions about wealth and its implications. A trailer for New Money is available for those eager to catch a glimpse of the film’s comedic escapades.