One of the standout moments in cinema for 2025 occurs in the film Eddington, where the indie-pop track “I Feel Alive” by TOPS resonates during a pivotal scene. Set against the backdrop of a socially-distanced bar, the song captures the essence of the COVID-19 era, showcasing a unique blend of nostalgia and vibrant energy. The film, directed by Ari Aster, has garnered considerable attention, yet this particular needle drop has not made it onto many year-end lists, despite its emotional weight.
The scene unfolds in a small, seemingly forgotten town in New Mexico, where the sheriff, Joe, confronts the local mayor, Ted, during a backyard fundraiser event. The intersecting narratives of isolation and community are poignantly highlighted as Joe asks Ted to lower the music. Instead, Ted leans into the moment, playing Katy Perry’s “Firework,” which serves as a backdrop to the brewing tension. Aster, known for his unconventional storytelling, uses music to elevate the emotional stakes, making the audience acutely aware of the characters’ struggles.
As Joe’s ignorance becomes painfully evident, the atmosphere thickens, and Aster masterfully intertwines the upbeat tempo of “I Feel Alive” with the unfolding chaos within the bar. The song, released during the early days of the pandemic, seems to reflect the longing for connection and joy amidst the uncertainty of lockdown life. It was first introduced to the public just days after the first confirmed COVID-19 case in the United States, making it a unique artifact of that time.
The film’s depiction of Eddington mirrors the quirky charm of classic Peter Bogdanovich films, contrasting sharply with the lively, retro sound of TOPS. The juxtaposition of the upbeat lyrics against the backdrop of early pandemic precautions creates a surreal yet relatable experience, particularly as characters navigate the awkwardness of social interaction with masks and distance.
One key scene features an unmasked character, Lodge, who disrupts the gathering, leading to a chaotic confrontation with Joe. As tensions rise, the poignant lyrics of “I Feel Alive” resonate: “When I’m in your arms, I can finally surrender.” This moment encapsulates the film’s exploration of vulnerability, revealing how music can amplify emotional truths, even in challenging circumstances.
The track not only serves as a reminder of the past but also evokes a sense of resilience and hope. It reflects the complex emotions of that time, blending themes of longing, desire, and the shared experience of grappling with reality. The song’s chorus remains an anthem for those navigating the aftermath of the pandemic, illustrating how music can provide solace and a sense of belonging.
As the film continues to receive acclaim, “I Feel Alive” stands out as a testament to the power of music in storytelling. The haunting yet uplifting melody embodies the spirit of survival and connection, inviting audiences to reflect on their own experiences during those tumultuous times. Aster’s assertion that “we haven’t metabolized what happened in 2020” resonates deeply, suggesting that the emotional impact of this period lingers in our collective consciousness.
For many, including the band members of TOPS—Jane Penny, David Carriere, Riley Fleck, and Marta Cikojevic—the song remains a cherished reminder of resilience. It represents a glimpse of hope and a celebration of life amid chaos, making it a noteworthy inclusion in the landscape of 2025’s cinematic achievements. As audiences revisit the film and its soundtrack, it is clear that “I Feel Alive” is more than just a needle drop; it is a poignant commentary on the human experience during a time of uncertainty.