The Ear Taxi Festival is set to return to Chicago from October 3 to October 18, 2025, showcasing a vibrant array of classical vocal performances. The festival, renowned for its celebration of contemporary music, will highlight works from both established and emerging composers, offering a platform for diverse talent.
Bella Voce opens the festival on October 3, 2025, with the oratorio “Lost Objects,” a collaboration between the acclaimed ensemble and Bang on a Can. This innovative piece incorporates choir, electronics, and modern themes, setting a dynamic tone for the festival.
On October 4, 2025, soprano Corinne Costell will perform alongside the Constellation Men’s Ensemble and pianist Shannon McGinnis in a program featuring pieces by members of the Chicago Composers Consortium. This event promises to be a highlight, showcasing local talent and creativity.
The same day, a diverse group of vocalists will take the stage, including soprano Katherine Peterson, mezzo-soprano Quinn Middleman, tenors Karlos Piñero-Mercado and Jordy Vargas, and baritone Chiemerie Obianom. They will present works by various composers such as Damien Geter and John Dorhauer, enriching the festival’s offerings.
The following day, October 5, 2025, both the La Caccina and Holocene ensembles will perform music from the Crossing Borders Music Young Composers Project, emphasizing the festival’s commitment to fostering new voices in classical music.
Another notable performance occurs on October 8, 2025, featuring soprano Leila Bowie McClenahan and pianist Alyssa Arrigo. They will present “Living Sounds: A Celebration of Chicago Composers,” further highlighting the festival’s focus on local artistry.
On October 10, 2025, sopranos Laura Strickling, Michelle Areyzaga, and Hayley Fox, along with mezzo-sopranos Naomi Brigell and Grace Ryan, will join the Kaia String Quartet for a concert featuring new works by composers such as Rosśa Crean and Lee Kesselman.
The William Ferris Chorale and Ensemble 20+ will give the Midwest premiere of Christopher Tin’s “The Lost Birds” on October 11, 2025, under the direction of Chris Windle and Michael Lewanski.
On October 12, 2025, soprano Nathalie Colas will perform as a soloist with the Fonema Consort in the program titled “Stare at the Sun.” This event is expected to draw attention for its innovative approach to vocal music.
Later the same day, soprano Sabrina Langlois and mezzo-soprano Joanne Evans will join pianist Brent Funderburk to perform works by composers including Blair Boyd and Asher Sizemore.
On October 16, 2025, sopranos Angela De Venuto and Emily Venturella, along with mezzo-soprano Christina Bernardoni, tenor Julian Otis, and baritone Ryan Alexander, will participate in a composer showcase with Lakeshore Rush, further diversifying the festival’s offerings.
The festival will conclude on October 18, 2025, with the Apollo Chorus of Chicago and the Chicago Philharmonic Orchestra presenting the Midwest premiere of Damien Geter’s “An African American Requiem.” This performance will feature a talented lineup of soloists, including soprano Tiana Sorenson, mezzo-soprano Leah Dexter, tenor Cameo Humes, and bass Khary Laurent, directed by Stephen Alltop and conducted by Scott Speck.
The Ear Taxi Festival 2025 promises an exciting blend of vocal talent and contemporary compositions, affirming Chicago’s status as a hub for innovative music. As the festival dates approach, anticipation builds for what is sure to be an impactful cultural experience.