The Dance Theatre of Harlem will perform at the Detroit Opera House on November 15-16, 2025, showcasing a revival of the ballet “Firebird,” which has not been seen in over 20 years. This much-anticipated production marks a significant return for the company, which has a long-standing relationship with the city of Detroit.
Under the direction of artistic director Robert Garland, the program will not only feature “Firebird” but also include a mix of cherished classics and contemporary works. The ballet, originally created in the 1980s by co-founder Arthur Mitchell, has undergone a reimagining that places it in the Caribbean, reflecting the influence of Black culture.
The decision to bring “Firebird” back to Detroit was influenced by the city’s rich history of innovation and resilience. According to Anna Glass, the executive director of Dance Theatre of Harlem and a Detroit native, the community’s enthusiastic support is vital for artists. “When you’re doing something new and scary, a city like Detroit is the perfect place to do that,” Glass said. “They’ll tell you when things aren’t right, but in such a way that you feel supported.”
Celebrating a Historic Connection
The ties between Dance Theatre of Harlem and Detroit span more than 50 years. Glass emphasized that Detroit feels like a natural home for the company, resonating deeply with its mission to incorporate the narratives and experiences of Black culture into classical ballet. Former artistic director and ballerina Virginia Johnson also reflected on this connection, noting the significant impact of African Americans on Detroit’s arts scene.
The original “Firebird” production was inspired by a conversation between Mitchell and George Balanchine, founder of the New York City Ballet. Balanchine recommended “Firebird” to Mitchell as a way to elevate the company. Mitchell’s adaptation includes scenic designs and costumes by the renowned Geoffrey Holder, transporting the traditional Russian folktale to a vibrant Caribbean setting.
The last performance of “Firebird” occurred in the early 2000s, making this revival a landmark event for both the company and its Detroit audience. Glass noted the importance of Detroit arts supporter Betty Brooks, who played a pivotal role in bringing the dance troupe to the city in 1976. Brooks, along with community leaders like Alice Combs, was instrumental in fostering a supportive environment for the arts.
Anticipation Builds for Upcoming Performances
The upcoming performances are set for Saturday, November 15, at 19:30 and Sunday, November 16, at 14:30. Tickets are available online at www.detroitopera.org, starting at $30. Additionally, local residents can purchase tickets for $25 beginning the Monday before the performances by visiting the box office in person with proof of residency.
The company’s dancers express excitement about returning to Detroit, where they appreciate the warmth and hospitality of the audience. Glass shared that the venue itself, created by visionary founder David DiChiera, has played a significant role in the company’s history. “Detroit has the hospitality of the Midwest with the cosmopolitan reach of New York,” she said, highlighting the unique blend of community spirit and artistic energy.
With “Firebird” now back on the program, Dance Theatre of Harlem is poised to captivate audiences once again, reaffirming its commitment to innovation and cultural representation in the performing arts.