In 2025, television remains a constant companion, offering both a refuge from and a reflection of the world’s complexities. From laugh-out-loud comedies to gripping dramas, the first half of the year has delivered a diverse array of shows that captivate and challenge audiences. As we reach the midpoint of the year, Variety TV critics Alison Herman and Aramide Tinubu have highlighted their top picks, showcasing the breadth of storytelling on screen today.
Exploring the Dark Side: “Adolescence” and “A Cruel Love”
Netflix’s limited series “Adolescence” has emerged as a global phenomenon. Created by Jack Thorne and Stephen Graham, who also stars, the series offers a chilling exploration of red-pill propaganda’s impact on young minds. Set in an unnamed English city, the narrative follows 13-year-old Jamie, played by Owen Cooper, who stands accused of a horrific crime. Directed by Philip Barantini, the series employs a signature one-shot style, immersing viewers in Jamie’s world as it unravels.
Meanwhile, BritBox’s “A Cruel Love: The Ruth Ellis Story” delves into historical drama, recounting the tragic tale of Ruth Ellis, the last woman hanged in the UK. Set in 1955, the series stars Lucy Boynton as Ellis, offering a poignant look at themes of abuse, misogyny, and societal constraints. The series, based on Carol Anne Lee’s biography, “A Fine Day for Hanging,” paints a vivid picture of the era’s harsh realities for women.
Period Pieces and Psychological Thrillers
Steven Knight’s “A Thousand Blows”, set in 1880s London, brings the gritty world of boxing and the criminal underworld to life. The series follows Jamaican immigrants Hezekiah Moscow and Alec Munroe as they navigate the challenges of their new environment, caught between rival gangs. It’s a tale of loyalty and revenge that captivates from start to finish.
On a different note, Netflix’s “Dept. Q” offers a psychological thriller set in Scotland. Adapted by Scott Frank, the series follows Detective Chief Inspector Carl Morck, played by Matthew Goode, as he tackles a high-profile cold case. The series is a masterful blend of mystery and psychological depth, keeping viewers on the edge of their seats.
Love Stories and Family Dramas
Mara Brock Akil’s “Forever” reimagines Judy Blume’s classic novel, presenting a tender teen love story set in 2018 Los Angeles. The series follows Keisha Clark and Justin Edwards as they navigate the complexities of young love, offering a rare glimpse into Black teenage romance.
In contrast, “Long Bright River” on Peacock tackles themes of addiction and sisterhood. Adapted from Liz Moore’s novel, the series stars Amanda Seyfried as Mickey Fitzpatrick, a Philadelphia cop grappling with her community’s struggles. The show delves into the haunting cycles of poverty and despair, offering a poignant look at familial bonds.
Superheroes, Sci-Fi, and Comedy
Disney+’s “Your Friendly Neighborhood Spider-Man” offers a fresh take on the iconic superhero. The animated series, led by Jeff Trammell, combines nostalgia with modern flair, following a young Peter Parker as he discovers his powers and navigates teenage life.
Apple TV+’s “Your Friends & Neighbors” brings a comedic touch to the mid-life crisis narrative. Jon Hamm stars as Andrew “Coop” Cooper, a hedge fund manager facing personal and professional upheaval. The series explores themes of identity and societal expectations with humor and heart.
Finally, HBO’s “Andor”, a prequel to “Rogue One,” offers a nuanced study of rebellion and fascism. The series, praised for its depth and historical parallels, focuses on Diego Luna’s Rebel pilot and the ordinary people who challenge an empire’s might.
Concluding Thoughts: A Diverse Television Landscape
The first half of 2025 has showcased an impressive range of television storytelling, with series that entertain, provoke, and inspire. From historical dramas to contemporary thrillers, the year’s offerings reflect the medium’s ability to engage with complex themes and diverse narratives. As we look forward to the rest of the year, these shows set a high bar for what’s to come in the ever-evolving world of television.