Some of Britain’s oldest artisanal traditions are facing the threat of extinction, according to art historian James Fox. In his new book, Craftland: In Search of Lost Arts and Disappearing Trades, Fox explores various crafts, from dry stone walling in West Yorkshire to barrel-making, known as coopering, in Bushmills, Northern Ireland. The book, published by The Bodley Head in September 2023 and set for release in the United States on October 28, 2023, combines elements of travel writing and investigative reporting to argue for the significance of these traditional skills.
Fox emphasizes that crafts are not merely relics of the past but rather living traditions that hold relevance in contemporary society. “If your only definition of craft is something very traditional, you’re confining it to the past and to heritage,” he stated. “Craft is a living tradition — a vital tradition — as relevant today as it has ever been.”
During a recent video interview from the Hugo Burge Foundation in southeastern Scotland, where he serves as the creative director, Fox elaborated on his motivations for writing the book. He noted that with the ongoing revolution in technology and artificial intelligence, it is crucial to reflect on older methods of making. His aim is not only to document these crafts before they potentially vanish but also to extract valuable lessons from them.
Fox’s reflections highlight a growing concern about the impact of modern technology on traditional skills. He believes that as society embraces digital solutions, there is a risk of losing the unique craftsmanship that has been honed over generations. “It seemed like a really good time to look back at older ways of working, older ways of making,” he explained.
The book showcases numerous artisanal practices that are either declining or at risk of disappearing entirely. By bringing these stories to light, Fox hopes to inspire a renewed appreciation for the craftsmanship and artistry involved in these trades. His admiration for handmade items, such as a pair of scissors he treasures, illustrates the personal connection many have with crafts.
Fox’s work serves as a call to action for both artisans and the public. He advocates for a greater recognition of these trades as not only important cultural assets but also as opportunities for innovation and creativity in a rapidly changing world. As he notes, the skills of the past can inform and enhance contemporary practices, offering a bridge between tradition and modernity.
In a world dominated by rapid technological advancements, Fox’s book is a timely reminder of the value of preserving artisanal skills. The stories within Craftland invite readers to reflect on their own relationships with crafts and consider the implications of a future where these trades may no longer exist.